Both oscillators have a modulation matrix that makes it super easy to bend and shape the sound to your liking. If you’re a fan of moog-style big pulsing sounds, the “swarm” waveforms are for you. Everything from classic sine/saw/square shapes through to more noise type formations like “rain” and “bubble” mean Meld can really create some unique textures. But this “macro oscillator” synth has a lot of interesting waveforms to play with. At first glance, the two oscillator setup seems pretty straightforward. The newest instrument to join the Ableton Live family is going to be a lot of fun. There’s a lot more, which we’ll go through below but those are the headline features. Most of the above is also MPE ready where applicable. ![]() On the other hand, if you want to create music in non-western tones and scales, there’s full support for a wide range of musical tunings now baked right into Live. There’s also an option to track the scale and key of what you’re working on so that any effects or edits will automatically be in that key (if you wish). Other updates include a feature where Live 12 will create MIDI arrangements or transform existing ones via new tools in Live’s Clip view. ![]() Live 12 Suite comes with “Meld” which the company describes as a macro oscillator synth, and there’s also a new distortion effect called Roar. ![]() Usually, the first thing people want to know is if there are any new instruments, and the answer is yes. The less fun news is that you won’t actually be able to get your hands on Live 12 until early next year, but there’s plenty to get excited about in the meantime. In terms of release cycles, this is the shortest time between versions in recent memory, and it brings with it some exciting new features. Today, the company is unveiling Live 12, the next version of its popular digital audio workstation (DAW). It was almost exactly three years ago that we were celebrating the relatively quick arrival of Ableton Live 11.
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